Obituaries Related to "Hayes" from New York Times Archive
Mr. Hayes was among a group of noncombatants stranded behind enemy lines in Albania in 1943, hiding in caves, near starvation and hunted by German patrols.
“Paul Robeson,” which starred James Earl Jones and opened on Broadway in 1978, was considered by black intellectuals to be insufficiently complex and eventually derailed the writer’s career.
During the Reagan administration, Dr. Hayes helped calm consumer fears after a Tylenol poisoning case and, amid some controversy, approved the use of the artificial sweetener aspartame.
Mr. Hayes was a screenwriter who wrote some of Alfred Hitchcock’s best-known films before breaking with the director in a fight over screen credit.
Isaac Hayes, the singer and songwriter whose luxurious, strutting funk arrangements in songs like "Theme From 'Shaft' " defined the glories and excesses of soul music in the early 1970s, died on Sunday in East Memphis, Tennessee He was 65.
The soul icon Isaac Hayes also voiced a character on the television show “South Park.”
Mr. Hayes’s strutting funk arrangements in songs like “Theme From ‘Shaft’ ” defined the glories and the excesses of soul music.
MEMPHIS, Tennessee — Isaac Hayes, the pioneering singer, songwriter and musician whose relentless "Theme From Shaft" won Academy and Grammy awards, has been found dead at home. He was 65.
HAYES--Joseph M. Jr. Born September 4, 1949, died October 12, 2006. Beloved son of the late Joseph M. Hayes Sr. and Mrs. Pauline Hayes, of Kent, CT. Mr. Hayes resided in NYC for the last 29 years and worked for the Metropolitan Opera House as Marketing Director. He had a lifelong interest in theatre arts beginning with his employment at the Stratford Shakespeare Theatre during summers early in his career. He was educated at St. Ambrose School and Fairfield Prepatory School in Connecticut, and at ...
RACES AT BRIGHTON BEACH; W.C. Hayes May Make No More Entries Until After Aug. 1. ODOM WAS NOT ABLE TO RIDE Dead Heat Between Theory and Hard Knot and Victories for Post Haste, St. Cloud, Big Gun, Greyfeld, and Dudley E.
" George Odom has a very large pain in his very small stomach." That was the first and most important news that welcomed racegoers at the Brighton Beach track yesterday. It set owners and trainers whose horses he was engaged to ride to hustling for other light-weight jockeys who could take his place.
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His drumming lent spontaneity and imagination to the unfettered sound of seminal rock ’n’ roll records by Jerry Lee Lewis and others.
He built Maryland into a national powerhouse and became the first coach to win more than 100 games at each of four major college programs.
His free-spirited music ignored genre boundaries. “If you’re a creative person,” he once said, “it’s important to break rules.”
One of the first voices heard on the airwaves in Asia, he became recognized by generations of listeners in India over 42 years of broadcasting Bollywood music.
He popularized the term “institutional racism" and, with Stokely Carmichael, wrote a book in 1967 that was seen as a radical manifesto.
His New York Times scoop enraged the Nixon White House, which ordered a tap on his phone. He later won a Pulitzer Prize for The Boston Globe.